Showing posts with label retablo. Show all posts
Showing posts with label retablo. Show all posts

Tuesday, December 20, 2011

Speak


This is another retablo I did because they are really fun.  I had another idea and an extra frame and wanted to try it.

I have always wanted to paint a woman on a wheel.  I have always loved the tarot cards of the Wheel of Fortune, and the Universe with its cosmic dancer.  And I often saw a woman on a wheel when I would hear when I would hear a certain song.
                                
The song is on this old cd I have called “Music of Medieval Love” by New York’s Ensemble for Early Music.  It is a song about St. Katherine.  The voices repeat and blend into each other, over and over and over, like the turning of a wheel.  I used to listen to it a long time ago, walking around New York at night with the neon lights all glowing.  The lights and the turning sounds and the story of a woman on a firecracker wheel- I always wanted to paint this somehow.
                                                                                     
I am not Catholic or anything and do not know much about saints.  But maybe people do and maybe someone would like to sincerely pray to St. Katherine, and this is a retablo and that is what it’s for- praying, I mean.  So I tried not to get all distracted by firecrackers and tarot card and just stick to some classic St. Katherine imagery.  So there needs to be her, and a wheel, and a book, and some spikes.

A book: as it turns out she is the patron saint of learning and students.  She was a brilliant Christian philosopher in Alexandria.  The bad guys tried to best her in religious argument but she beat them.  They got mad.  But the emporer liked her and wanted to marry her on the condition she renounce her religion.  She wouldn’t.  A wheel: they strapped her on a wheel.  Some spikes: the wheel had spikes on it.  It rotated over her and killed her.  Then they cut off her head. 

But then, the turning wheel exploded!  Shards of spikes and gigantic sharp splinters shot out into the crowd and killed everybody.  Then from the sky, Christ whizzed towards her, scooped up her body and took it safe into the desert into the sun, to Mt. Sinai.

I wanted to do this painting because of the visual image of a woman in a circle.  Not because of the story.  This tale, like most tales of medieval saints, was not appealing to me- very bloody and vengeful and all that stuff you try to overcome if you are into peace on earth and everything.  But I was also dealing with some very heavy issues at the time of heartbreak and shame.  You might listen to Patti Smith at a time like this and you might get all into St. Katherine.  I could empathize with what a medieval woman might have seen in that story.  In a world where you couldn’t speak your own mind, of the incredible pain of childbirth, abuse and humiliation, it might have been cathartic to pray to a saint who said anything she wanted to and sent sharp pieces of an exploding wheel into the hearts of her enemies.  That could go for this world too, I think.

Out of the story, what remains precious for me is her courage to speak her truth.

P.S. The words on the painting are hard to read on the computer, so here they are-
Around the frame (taken from “O laudanda Virginitas (Katerina)” New York Ensemble for Early Music

O laudanda virginitas
etas sexus conditio!

passa regalis dignitas
iam regnat a supplicio.
(translation ) O Praiseworthy virginity, youth and the condition of womanhood!
As royal dignity suffers, now she rules free of all humiliation.

Within the picture:
Katerina.  The story of courage tears apart my shame. 
Brooke Houston 2011.


                                                      

                                                      

Thursday, October 13, 2011

Concept of The Frame


So lately I discovered the concept of the Frame.

The reason is the Dia de los Muertos show at Lawndale. They give you a retablo tin upon which to paint. The tin measures 8 by 10 inches, and for me that’s really small. But they let you cheat! As long as you use the tin, you can add stuff. I decided to add a frame because then it would be bigger.

This presented a cool new set of visual problems to solve. 1. The frame is part of the picture and not part of the picture. 2. The frame makes the work…. 3D. As someone whose favorite dimension is definitely the second one, I saw this mad crazy wild stuff.

Traditionally in Mexico retablos seem to portray a disaster or misfortune that was survived by intercession of a saint, Jesus or Mary. I painted a memory of being in New York during September 11, a disaster that was not averted. (Lawndale lets you change the rules a bit).

September 11 was ten years ago. The painting is the event, but the frame is the space of memory, ten years. It is the space where I contemplate that memory. The prayer is taken from a chant from the Greek Orthodox Church. Because my photograph is a bit blurry, I will type the words here:

Who is weak, and I am not weak? Say who is weak, and I am not weak? Who is scandalized? Who is scandalized, and I am not on fire? And I am not on fire? And I am not on fire?

Underneath, are two prayers: Christe Eleison is Greek for Christ give me mercy (The Jesus prayer of the heart). Ar-Rahim is one of the 99 names of Allah, it means Allah is merciful.

I think the frame must also represent a space beyond time. The birds escape the picture’s calamity, but the people do not.

A surprise gift the frame gave me was the duality of space: inside, outside. I could really create a strong movement with this, a movement from left to right. You read the words from left to right. The fire pushes to the right. The birds break out of the frame in a diagonal, going faster, free.

The person falls out of that left to right movement. The person drops out of sight.

(Well, that’s how I saw it, anyway…)

Well, do you know what? I had been so excited buying that lovely large frame at Hobby Lobby among the glitter and stickers and beads, I failed to notice the fine print of my Lawndale rules: the entire work can’t exceed 12 by 14 inches. Mine was too big and they couldn’t take it. So I made a new frame really fast before the deadline; it’s a bit smaller and not the one pictured here. I don’t think it’s that different, though.

The Dia de los Muertos show is at Lawndale from October 17 through November 5. I got a sneak peek when I turned my piece in and all the works were so beautiful, I wish I had a million dollars to attend the auction with! For more information on Lawndale and how to get there and stuff, go to www.lawndaleartcenter.org.