Friday, February 3, 2012

a mind like grackles


Mind, they told me you are a bird
Because you have such a gift for flying.
I’d like it if you were some great white thing
with wings that spanned the horizon, sea to sea
plunging in and shooting up
to the stars.
But honestly sometimes you are like a grackle
scavenging among things that are dead, like bad memories
picking at trash other people have left on their tables
with a voice like a car alarm, that can only scream something like fear
who stays with the other grackles, all the same, and will not often
go or even wish to go any higher than telephone wires.

I know you can sometimes be a mourning dove
softly crying, the naïve slow one so easily hit by cars
who weeps with joy to hear the morning come
who loves your friends, and every spring
so glad to come home.

Or sometimes, like the mockingbird- small and gray and clean
Alone, and not alone,
watching and listening
singing back in a voice like rain every ugly or beautiful thing you take in.


Friday, January 27, 2012

Blackout

During the storm a few days ago (well, the storm was in the morning and this happened at night) my street got a blackout.  This is a journal entry from that night.

Tonight the light was snatched away.  I left my painting and my preoccupations and was IN this old building.  A neighbor above shouted BLACKOUT! like Happy New Year's.  Neighbors coming outside into the night, laughing.  "So much for dinner!"  "I was cooking too!"  "It's the whole street!"  "Is the bar open?"  "Hell the bar is blackout too prolly."  "If only this had happened at schoo!"  "And Miss Carol's lights too?"

Wait a little while at my desk.  My eyes do have large dark windows for occasions such as this and I am just waiting as they widen, widen, widen before they cast out nets.  And your fingers are smarter than you know.

Light!  Even a little!  I get to the door by my knees and feet with antennae looking for bumps and sharp dangerous things.  My face hates to go forward because it's imagining a thousand ghostly walls to smash it flat.  Screen door, open.  cool night.  Sweet rain.  Patter, wet leaves, a taxi drives by with a light on, their voices ("Dad, the cars still have lights")  the sweet sad wind, the old train voice.  Silver thinned with black in my dim house.  a candle!  Brighter than a star.  I never knew a candle was so bright.  So a candlelit room at night: once I thought of that as a dark room but now I see this as a room where forms can emerge and singing yellow stars restore the world I know.

When the lights came on it was like bleach like chalk and a little sadly I saw myself once more close and lock the outside door.





Tuesday, January 17, 2012

the body inside the body

A lot of my artwork is about the experience of being in a body because this takes up a huge part of my life.  One of my favorite quotes ever is by one of my favorite inspirational people ever, the Butoh dancer Kazuo Ohno, who said something like if you want to know yourself you can start by observing everything you can about your own body.

As a child I was gentle and wimpy.  I was always the last one chosen for the kickball team.  At 12 I grew too fast for my bones and my knee got permanently messed up.  It’s been fixed, but still is not normal and one leg is much smaller and weaker than the other because I never do the therapy like I’m supposed to.

At 21 I was like an old woman, always tired.  It’s hard to remember now, but my energy level was listless as rotten flowers.  A model in my art school, an absolutely beautiful dancer named Kendra, invited me to come with her to a Qigong class in the lower east side because she thought I was far too young to have so little energy. 

I did go, and was it a great calming experience that solved my problem?  No it was not.  It was horrible!  It was probably one of the most physically horrible experiences of my life!  We did standing meditation, you just breathe and stand.  You relax your head- then your shoulders- arms- chest- stomach- at this point my body screamed at me that it was going to fly to pieces and I was going to DIE if I relaxed my stomach.  I bravely kept taking deep breaths but my body was not kidding.  I passed out in front of everyone- crash!  My gentle but firm teacher led me to her kitchen and gave me a blanket and water and I finished the class lying down under her kitchen table trembling and curled up into a ball.

She said it meant I was sensitive to Qi and if you have reactions like this, Qigong is the best thing you can do.  It’s healing you.

I did stick Qigong not so much to heal myself but because of the beauty of the movements.  You see it was Soaring Crane Qigong, and I loved to move like that huge and beautiful bird and that feeling of flying. But off and on I did have to deal with cold sweats, terrors, nausea, shaking, and there were more times when I did have to go back under the table. 

Later in my life I did simpler forms of Qigong that were not so difficult and had a good experience with them, but I still find it too powerful an energy rush for me so now I do yoga which seems for me gentler.  But I do meditate (sitting down) each morning, and some of the feelings from that first Qigong lesson I still am dealing with, in sitting meditation.

So meditation is supposed to be really calming, la la la.  Not for me, not usually.  For me it’s like a workout.  My experience with meditation is so visceral and so physical it can be more draining than a visyana yoga class.  And I’m not a beginner beginner, really, it’s been 2 years since I’ve been doing this.  The same nausea and panic.  The same voice that screams if you relax your stomach you will fall into pieces and you are going to DIE.  (But now I know that if you feel like you’re going to pass out, for heaven’s sake STOP!  Lie down!)

But lately, after 2 years, an amazing thing has happened.  First of all these difficult times come around less often.  Secondly when the panic does come, and all the physical unpleasantness, I never fell to pieces and I’m not dead.  The intensity of the feelings lessened, so much.  I am able to ride them out and I can observe them and they do go away.

I find this process very interesting, the process of the movement of energy inside me, like weather, like storms and storms passing.   And I started writing about it to try- can I capture on paper something so subtle, so delicate?  To even perceive it in my body I have to be so still (all these crazy feelings only come when I sit still and breathe, not when I'm walking around doing my day). I have tried to remember this passage of energy in words and in some drawings.  

 It’s a very simple movement of energy I am tracing.  I feel tightness like a black ball of tar in the solar plexus (that’s right under your heart, the area in the triangle of the rib cage.)  Then the tightness dissolves (crying often accompanies this) and a lightness fills me like clear as running water.  That is what I would like to share today. 

The sketches are from a sketchbook and the pencil mark is really tentative, soft.  I had to doctor them up with the contrast in photoshop so you can see them on your computer.


The black ball of tar under the ribcage:




One day as it dissolved it was like a flock of white birds literally flew out of my chest.


 Sometimes, if I don’t get too scared of it, it is a tremendous energy a like gold light


 Some writings from my journal:

Feeling of anxiety:

drawing a soft breath
I can pet the baby animal in my lungs
with a touch.

Between my lungs and under my heart
there is a baby bird
with a tiny heart that beats too fast

*


Feeling of fear:

my stomach is small and black  like a tar ball.
inside there is a hole.
the hole appears to be small
but goes back as far as the universe.
in a place with no ground
I cannot rest
I’ll fall to pieces…

*

Crying again:

tiny bird for a stomach
little claws, for a heart

press behind me
hot, snot, salty
tears press slowly through

if you can’t bear it, who will?

*

How does it feel to cry?

Stomach is red, hard,heavy, black and filled
with something ashy, something hot
tight violin strings.
tears,
I know you’re there.

How does it feel to cry?
Shivers that start on your back
melt stomach
warm eyes
poignant and tart.

Morning is gray like a mockingbird
breath of daylight
my lungs are two white flowers.
Stomach goes soft,
like a limp magnolia,
cool and hollow in the middle,
a goose’s belly,
a baby rabbit,
a breast,
white lemon scent of a star,
this is the fragrance of the moon.

Top row of teeth clench
bottom row of teeth
nickel-plated chain
they are falling open
like the soft decaying petals
of a flower.


a Clear feeling:

With every breath that pushes it out
I make a big red rose in my belly.
My throat is a shaft of sunlight
My head is just a basket for soft green leaves
And my smile is the sun thru rainclouds


Tuesday, December 20, 2011

Speak


This is another retablo I did because they are really fun.  I had another idea and an extra frame and wanted to try it.

I have always wanted to paint a woman on a wheel.  I have always loved the tarot cards of the Wheel of Fortune, and the Universe with its cosmic dancer.  And I often saw a woman on a wheel when I would hear when I would hear a certain song.
                                
The song is on this old cd I have called “Music of Medieval Love” by New York’s Ensemble for Early Music.  It is a song about St. Katherine.  The voices repeat and blend into each other, over and over and over, like the turning of a wheel.  I used to listen to it a long time ago, walking around New York at night with the neon lights all glowing.  The lights and the turning sounds and the story of a woman on a firecracker wheel- I always wanted to paint this somehow.
                                                                                     
I am not Catholic or anything and do not know much about saints.  But maybe people do and maybe someone would like to sincerely pray to St. Katherine, and this is a retablo and that is what it’s for- praying, I mean.  So I tried not to get all distracted by firecrackers and tarot card and just stick to some classic St. Katherine imagery.  So there needs to be her, and a wheel, and a book, and some spikes.

A book: as it turns out she is the patron saint of learning and students.  She was a brilliant Christian philosopher in Alexandria.  The bad guys tried to best her in religious argument but she beat them.  They got mad.  But the emporer liked her and wanted to marry her on the condition she renounce her religion.  She wouldn’t.  A wheel: they strapped her on a wheel.  Some spikes: the wheel had spikes on it.  It rotated over her and killed her.  Then they cut off her head. 

But then, the turning wheel exploded!  Shards of spikes and gigantic sharp splinters shot out into the crowd and killed everybody.  Then from the sky, Christ whizzed towards her, scooped up her body and took it safe into the desert into the sun, to Mt. Sinai.

I wanted to do this painting because of the visual image of a woman in a circle.  Not because of the story.  This tale, like most tales of medieval saints, was not appealing to me- very bloody and vengeful and all that stuff you try to overcome if you are into peace on earth and everything.  But I was also dealing with some very heavy issues at the time of heartbreak and shame.  You might listen to Patti Smith at a time like this and you might get all into St. Katherine.  I could empathize with what a medieval woman might have seen in that story.  In a world where you couldn’t speak your own mind, of the incredible pain of childbirth, abuse and humiliation, it might have been cathartic to pray to a saint who said anything she wanted to and sent sharp pieces of an exploding wheel into the hearts of her enemies.  That could go for this world too, I think.

Out of the story, what remains precious for me is her courage to speak her truth.

P.S. The words on the painting are hard to read on the computer, so here they are-
Around the frame (taken from “O laudanda Virginitas (Katerina)” New York Ensemble for Early Music

O laudanda virginitas
etas sexus conditio!

passa regalis dignitas
iam regnat a supplicio.
(translation ) O Praiseworthy virginity, youth and the condition of womanhood!
As royal dignity suffers, now she rules free of all humiliation.

Within the picture:
Katerina.  The story of courage tears apart my shame. 
Brooke Houston 2011.


                                                      

                                                      

Sunday, November 6, 2011

Life gets in the way


I can’t really write my blog entry because I am not working on art.  I can’t think of anything to show you.  The truth is, Life has gotten in the way of art.

It’s hard to admit this.  But I feel I am not the only one who has gotten in this disagreeable place.

Sometimes keeping art in my life as a living flourishing thing is like trying to keep alive a very delicate flower that needs a certain kind of soil and air temperature and filtered water from a certain spring and I don’t even know what all and it’s hard.

My studio was in my apartment.  But I had to move out of my apartment, and kind of in a hurry.  Because I have no sense of space in the third dimension, I thought that all my stuff would fit into the smaller new apartment.  Wow, it totally doesn’t.

I will have to find studio space outside of the apartment, a big pain in the… no, must try not to be negative on blog.

There’s this part of Patti Smith’s Just Kids that really resonates with me.  There is a point where she and Robert Mapplethorpe are moving from one place to another for like the forty seventh time.  Just seeing their portfolios, pencils, art books, everything- all packed up and ready to be hauled- she gets depressed, defeated feeling.  Just from the physicalness of the STUFF.  (I would quote this for you, but my Just Kids book is packed in one of the boxes and as good as lost at the moment.)  For a moment, she just wants to throw all the damn stuff away and become a busker or something.

I’m a painter so obviously my artworks are physical; a painting is an object.  The space I need to make paintings is very physical- I mean the space matters.  It has to have light.  It has to be clean.  It has to be quiet.  It has to be private.  If even one small thing is out of place that does not belong to that painting’s particular mess, it drives me crazy and I can’t work.

That’s not the same for all painters but for me… Sometimes I envy conceptual artists, and writers.  When I write, it’s different.  The room can be a mess and I wouldn’t even notice.  It could be a lovely quiet room, a library, somebody’s closet, a bus, a coffee shop.  The workspace is far away in the infinite space of my mind and nothing can harm it.

Until things settle, what can I do? 

What about a sketchbook?  Brooke, did you forget being a student and carrying the sketchbook around everywhere, a safe refuge from crowded Brooklyn apartments and art schools with a lockout?

Maybe this is a chance to discover a new way.

Thursday, October 13, 2011

Concept of The Frame


So lately I discovered the concept of the Frame.

The reason is the Dia de los Muertos show at Lawndale. They give you a retablo tin upon which to paint. The tin measures 8 by 10 inches, and for me that’s really small. But they let you cheat! As long as you use the tin, you can add stuff. I decided to add a frame because then it would be bigger.

This presented a cool new set of visual problems to solve. 1. The frame is part of the picture and not part of the picture. 2. The frame makes the work…. 3D. As someone whose favorite dimension is definitely the second one, I saw this mad crazy wild stuff.

Traditionally in Mexico retablos seem to portray a disaster or misfortune that was survived by intercession of a saint, Jesus or Mary. I painted a memory of being in New York during September 11, a disaster that was not averted. (Lawndale lets you change the rules a bit).

September 11 was ten years ago. The painting is the event, but the frame is the space of memory, ten years. It is the space where I contemplate that memory. The prayer is taken from a chant from the Greek Orthodox Church. Because my photograph is a bit blurry, I will type the words here:

Who is weak, and I am not weak? Say who is weak, and I am not weak? Who is scandalized? Who is scandalized, and I am not on fire? And I am not on fire? And I am not on fire?

Underneath, are two prayers: Christe Eleison is Greek for Christ give me mercy (The Jesus prayer of the heart). Ar-Rahim is one of the 99 names of Allah, it means Allah is merciful.

I think the frame must also represent a space beyond time. The birds escape the picture’s calamity, but the people do not.

A surprise gift the frame gave me was the duality of space: inside, outside. I could really create a strong movement with this, a movement from left to right. You read the words from left to right. The fire pushes to the right. The birds break out of the frame in a diagonal, going faster, free.

The person falls out of that left to right movement. The person drops out of sight.

(Well, that’s how I saw it, anyway…)

Well, do you know what? I had been so excited buying that lovely large frame at Hobby Lobby among the glitter and stickers and beads, I failed to notice the fine print of my Lawndale rules: the entire work can’t exceed 12 by 14 inches. Mine was too big and they couldn’t take it. So I made a new frame really fast before the deadline; it’s a bit smaller and not the one pictured here. I don’t think it’s that different, though.

The Dia de los Muertos show is at Lawndale from October 17 through November 5. I got a sneak peek when I turned my piece in and all the works were so beautiful, I wish I had a million dollars to attend the auction with! For more information on Lawndale and how to get there and stuff, go to www.lawndaleartcenter.org.

Tuesday, September 20, 2011

Looking for Sasha (part 3)


I went through this same process with all seven brothers, and their sister. Here is the final picture.

PS. AAh! I’m confused! Why does her blog make no sense? Of course you are confused! But it’s not your fault. This blog entry has 3 parts. The best way is to look at the right hand margin. See where it says Blog Archive? Okay now see where it says Looking for Sasha, Part 1? Yep. Start with that one and read them in order, it will make more sense.