Friday, February 3, 2012
a mind like grackles
Friday, January 27, 2012
Blackout
Tonight the light was snatched away. I left my painting and my preoccupations and was IN this old building. A neighbor above shouted BLACKOUT! like Happy New Year's. Neighbors coming outside into the night, laughing. "So much for dinner!" "I was cooking too!" "It's the whole street!" "Is the bar open?" "Hell the bar is blackout too prolly." "If only this had happened at schoo!" "And Miss Carol's lights too?"
Wait a little while at my desk. My eyes do have large dark windows for occasions such as this and I am just waiting as they widen, widen, widen before they cast out nets. And your fingers are smarter than you know.
Light! Even a little! I get to the door by my knees and feet with antennae looking for bumps and sharp dangerous things. My face hates to go forward because it's imagining a thousand ghostly walls to smash it flat. Screen door, open. cool night. Sweet rain. Patter, wet leaves, a taxi drives by with a light on, their voices ("Dad, the cars still have lights") the sweet sad wind, the old train voice. Silver thinned with black in my dim house. a candle! Brighter than a star. I never knew a candle was so bright. So a candlelit room at night: once I thought of that as a dark room but now I see this as a room where forms can emerge and singing yellow stars restore the world I know.
When the lights came on it was like bleach like chalk and a little sadly I saw myself once more close and lock the outside door.
Tuesday, January 17, 2012
the body inside the body
I did stick Qigong not so much to heal myself but because of the beauty of the movements. You see it was Soaring Crane Qigong, and I loved to move like that huge and beautiful bird and that feeling of flying. But off and on I did have to deal with cold sweats, terrors, nausea, shaking, and there were more times when I did have to go back under the table.
The sketches are from a sketchbook and the pencil mark is really tentative, soft. I had to doctor them up with the contrast in photoshop so you can see them on your computer.
Some writings from my journal:
*
Tuesday, December 20, 2011
Speak
O laudanda virginitas
etas sexus conditio!
passa regalis dignitas
iam regnat a supplicio.
Sunday, November 6, 2011
Life gets in the way
Thursday, October 13, 2011
Concept of The Frame
So lately I discovered the concept of the Frame.
The reason is the Dia de los Muertos show at Lawndale. They give you a retablo tin upon which to paint. The tin measures 8 by 10 inches, and for me that’s really small. But they let you cheat! As long as you use the tin, you can add stuff. I decided to add a frame because then it would be bigger.
This presented a cool new set of visual problems to solve. 1. The frame is part of the picture and not part of the picture. 2. The frame makes the work…. 3D. As someone whose favorite dimension is definitely the second one, I saw this mad crazy wild stuff.
Traditionally in Mexico retablos seem to portray a disaster or misfortune that was survived by intercession of a saint, Jesus or Mary. I painted a memory of being in New York during September 11, a disaster that was not averted. (Lawndale lets you change the rules a bit).
September 11 was ten years ago. The painting is the event, but the frame is the space of memory, ten years. It is the space where I contemplate that memory. The prayer is taken from a chant from the Greek Orthodox Church. Because my photograph is a bit blurry, I will type the words here:
Who is weak, and I am not weak? Say who is weak, and I am not weak? Who is scandalized? Who is scandalized, and I am not on fire? And I am not on fire? And I am not on fire?
Underneath, are two prayers: Christe Eleison is Greek for Christ give me mercy (The Jesus prayer of the heart). Ar-Rahim is one of the 99 names of Allah, it means Allah is merciful.
I think the frame must also represent a space beyond time. The birds escape the picture’s calamity, but the people do not.
A surprise gift the frame gave me was the duality of space: inside, outside. I could really create a strong movement with this, a movement from left to right. You read the words from left to right. The fire pushes to the right. The birds break out of the frame in a diagonal, going faster, free.
The person falls out of that left to right movement. The person drops out of sight.(Well, that’s how I saw it, anyway…)
Well, do you know what? I had been so excited buying that lovely large frame at Hobby Lobby among the glitter and stickers and beads, I failed to notice the fine print of my Lawndale rules: the entire work can’t exceed 12 by 14 inches. Mine was too big and they couldn’t take it. So I made a new frame really fast before the deadline; it’s a bit smaller and not the one pictured here. I don’t think it’s that different, though.
The Dia de los Muertos show is at Lawndale from October 17 through November 5. I got a sneak peek when I turned my piece in and all the works were so beautiful, I wish I had a million dollars to attend the auction with! For more information on Lawndale and how to get there and stuff, go to www.lawndaleartcenter.org.
Tuesday, September 20, 2011
Looking for Sasha (part 3)

I went through this same process with all seven brothers, and their sister. Here is the final picture.
PS. AAh! I’m confused! Why does her blog make no sense? Of course you are confused! But it’s not your fault. This blog entry has 3 parts. The best way is to look at the right hand margin. See where it says Blog Archive? Okay now see where it says Looking for Sasha, Part 1? Yep. Start with that one and read them in order, it will make more sense.




